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How to digitize artwork like an absolute pro

I started out as a traditional artist, and to this day I’m still converting some of my original artwork to digital. I feel like I’ve got the process nailed down pretty good at this point, so teaching you how to digitize artwork should be relatively straightforward.

The entire process is extremely simple actually. It’s more than likely that you’ve already got everything you need to get started. How is that even possible? Well, based on my experience of digitizing my own artwork over the years, there are two completely valid ways of going about it. Both are extremely simple, and involve tools you likely already have:

  1. Take digital photos
  2. Use a high-quality scanner

There are certainly advantages and disadvantages to using each. The method that’s right for you will ultimately depend on the type of artwork you do. But as I said, it’s not that complicated, so let’s just get right into it…

How to digitize artwork by taking digital photos

The best way to start out is to simply say this: it’s a glorious time to be alive. You see, back when I first started digitizing my artwork back in 1996, the only way to do it was with clunky film cameras and extremely simple software on very weak computers. A lot has changed since then (thankfully), and this is the process for doing it today:

Use the phone camera you already have

Unless you’re an absolute perfectionist, the phone you have in your pocket is more than capable of digitizing your artwork. Camera phones are absolutely incredible these days, and any phone built in the past 2 to 3 years very likely has a camera even better than a dedicated digital camera from just 10 years ago. Camera technology moves fast!

Here are some tips for getting high-quality photos of my artwork using my iPhone:

  1. It’s all about the light! Natural sunlight is the best light you’re going to find, which is good news because it means that you don’t have to worry about purchasing and setting up a complicated lighting system.
  2. I like to shoot outside, usually mid morning or mid afternoon when the sun is bright but not at full intensity.
  3. Put down a neutral-color blanket in a large open area and lay your artwork face up on that. You can also hang it on a wall that has decent sunlight coverage if that makes it easier for your specific type of artwork.
  4. Since the sun is at a slight angle (and not directly overhead), you should be able to stand right in front of it without casting a shadow as you frame your shot.
  5. Try to stand back a little and give yourself room to crop and edit the photo later. Trust me. It’s going to be rare that you’ll get a perfect shot directly out of the camera, so you’re probably going to want to do some editing to get your artwork looking as good as possible.
  6. Another advantage of standing back a little further is that there will be less lens distortion in the photo. The further you stand back, the straighter your lines and edges will be. This is important!

Once I have a well-lit photo, I like to use the Adobe Camera Raw editor. This comes bundled with Adobe Photoshop, and it makes the process of doing quick edits (such as lens distortion removal, line straightening and color directions) very quick and easy.

Yeah, it’s a bit ironic that I prefer to use Camera Raw instead of Photoshop for edits, but it’s extremely simple to use and it’s got all the tools I need to quickly make my digitized artwork look great.

digitizing old artwork

One of my old projects from a color theory class I had in college. The only thing I learned is that I should have converted this stuff to digital years ago…

digitizing old artwork with phone

Using my phone to digitize this old work is more than good enough! The carpet, however, is NOT good enough. I know. Replacing it is on my to-do list.

One final thing to note about using your phone to digitize your artwork:

One of the main advantages is that you’ll be able to capture a larger area, which is ideal for large format art. As a matter fact, if all you do is paint on canvas larger than 36 inches wide, shooting with a phone it’s probably going to be your best option.

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Use a top-down photo mount

For those looking for more control (and better quality) than using just a phone, I highly recommend using a top-down photo mount system. Doing so will allow you to control the light and positioning of your artwork with more precision than you could by simply hand-holding your phone in front of your piece.

This is the process:

  1. Lay your artwork down on a flat table (face up).
  2. Position the camera mount directly above your artwork. I find that a distance of 30 inches is a good place to start, but you’ll probably have to experiment a bit depending on the size of your artwork and the focal length of the lens on your camera.
  3. Speaking of the lens, a 50mm lens is ideal since it won’t distort the edges. Both vertical and horizontal lines will be straight.
  4. I use an old Canon 60D DSLR with a cheap (but very high-quality) 50mm lens for my setup.
  5. Position the lights on either side of the camera facing down on the artwork so that there’s even coverage.
  6. Don’t worry about the light temperature so much if you’re willing to spend time editing the photo later. If not, LED daylight bulbs are a very good option.

For those that are curious, this is the top down camera mount system that I’ve been using to digitize my own artwork:

This is the lens I use for this (mounted to my old Canon 60D). It’s super cheap, and tack sharp:

As you can see, it’s a fairly simple setup. Best of all, it’s not a permanent structure and you can fold it down and store it away when not needed. If you’re serious about digitizing your paintings and other artwork, this is definitely the best way to do it!

Are flatbed scanners any good for digitizing art?

Long story short, yes. Flatbed scanners has come along way over the years, and it’s a device you’re going to need if you’re looking for a quick and simple way to digitize smaller art pieces.

The catch, of course, is that last sentence. Scanning any artwork larger than 24 inches wide is going to be extremely cumbersome on a flatbed scanner, so this is basically only an option for those doing small scale artwork. Let’s take a look at some of the best options currently on the market:

Best all-around flatbed scanner for scanning art

If I was going to purchase a new flatbed scanner today, it would be the Canon CanoScan Lide 300. It’s an extremely feature-rich scanner for the price, and it has all the features that artist need to get high-quality scans of their artwork.

One of the things that makes it so easy for me to recommend the CanoScan Lide 300 is the fact that it’s extremely simple. Canon has been making flatbed scanners for well over 30 years now, and they’ve got this down to a science.

The bundled software that comes with it is fairly decent, though it’s not required if you’re using Photoshop or any other decent graphics editing program. Most of today’s graphics editing software packages have really good importing features that will control the scanner directly.

How to digitize large-format artwork with a scanner

Even though I just said that flatbed scanning is only an option for a small-format artwork, that wasn’t entirely true. There are a few large-format scanners out there, and most of them will do the job magnificently, but there are a few catches that you need to know about:

  1. Large format scanners don’t have the ability to scan canvased artwork. In other words, the input mechanism only allows for thin and flexible materials such as paper or unframed canvas. So – this isn’t going to work if you’re not willing to remove the frame from your paintings.
  2. Large format scanners are expensive. Basically, it will be hard to justify unless you’re a professional artist doing this full-time as a business.

That being said, here is a large format scanner which has all the features artists need for digitizing their artwork (minus the ability to scan framed canvases of course):

This Colortrac scanner is perfect for artists who create on flexible (and relatively thin) media. While it may not make much sense for oil and acrylic artists who paint on framed canvases, it may be ideal for large-format watercolorists.

The best flatbed scanner for professionals and total perfectionists

Even though I recommend the CanoScan Lide 300 (mentioned above) for most artists who want to digitize their artwork, the following recommendation is for those who demand nothing less than total perfection:

Appropriately named, the Epson Perfection V850 is essentially as good as it’s going to get when it comes to flatbed scanners. It’s got all the pro features you’ll need, such as extremely high resolution and a color depth profile unmatched by lesser scanners.

If you can afford it, The Epson Perfection V850 is the best scanner on the market for digitizing artwork IMHO. It’s essentially a professional-grade photo scanner with extremely accurate color profiles (and ultra-high resolution), and it’s the one I would be using if I was a traditional artist just starting to get into digitizing my work.

Tips for digitizing artwork

As I said earlier on, digitizing artwork sounds a lot more complicated than it actually is. Taking a photo of your work in decent light with the phone you have in your pocket what is all that it takes, and for most, it’s a good enough solution. However, for those looking for a little more help, here are some tips and general guidelines to follow:

  • First, anything over 300 dpi is overkill for most uses. The only time you’ll ever need to go higher than that is if you plan on printing your artwork larger than actual size.
  • Second, always make sure to save your digitized artwork in a non-lossy format such as TIFF, PSD, or PNG. Use that file as your main backup, and then copy it whenever you want to make a smaller version suitable for posting on social media or on a website somewhere.
  • Digitize your artwork as soon as you create it! I realize this sounds like an odd tip, but believe me. I’m still scanning all the artwork that I created back in the mid 90s, and to be honest I’m beyond sick and tired of it. If I would’ve had the foresight to scan my artwork as soon as I created it, I wouldn’t have this mind-numbing chore on my to do list.

Digitizing artwork FAQs

Before going any further, I just need to say “congratulations” for even thinking about digitizing your artwork. I’ve seen far too many traditional artists lose everything in fires and floods and it breaks my heart every time.

However, digitizing your artwork is beneficial for more reasons other than just insurance. Which is a perfect segue into this FAQ about digitizing your work…

What are the advantages of digitizing artwork?

Other than the fire and flood example I just gave above, another great reason is that it gives you the ability to post your artwork online via social media or your own website. Not only that, it will also allow you the option of selling unlimited digital prints of your artwork. For a better explanation of how to do that, be sure to read my in-depth guide which teaches how to sell digital art.

Do you need a computer to digitize artwork?

Nope! As I explained in the camera phone example of the top of this post, you most certainly don’t need expensive cameras and computers to digitize your work. For many people, their phone is their only computing device, and it may be all you’ll need to capture, sort, and archive your digitized art.

What’s the best way to archive digital artwork?

Personally, I store everything on my computer with a back up of everything on a cloud back up solution (just so that I don’t lose everything in case of a fire, theft, or flood).

I personally use Sync to automatically back up my computer and all its files every night to the cloud, and I can sleep easily knowing that everything is safe and secure if something happens to my computer and / or the hard drives.

If you’re curious and you want to try it yourself, Sync is currently 5GB of storage space (for FREE) for all new subscribers. You’ve got nothing to lose by giving it a try, and I can’t recommend it highly enough.

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